What’s the Best Mic for Kick Drums?

Hey everyone,

I’m diving into the world of recording and I want to focus on capturing my kick drum sound perfectly! I’ve been doing some research, but I’m still a bit overwhelmed with all the options available.

What to Look For?

Here are some things I’m considering when searching for the best kick drum mic:

  • Sound Quality: What mics give you that punchy sound that really brings a kick drum to life?
  • Durability: Since kick drums can take a beating, I need something that can withstand the intensity of live performances as well as studio recordings.
  • Versatility: Is there a mic that works well for both live settings and studio recordings?
  • Budget: I’m looking for something affordable but effective. Any recommendations that won’t break the bank?

Mics I’ve Heard About

I’ve stumbled upon some popular choices like:

  • Shure Beta 52A - Seems to be the industry standard.
  • Audix D6 - I’ve heard that it has a nice low-end response.
  • AKG D112 - A classic that many swear by.

I’d love to hear your personal experiences! What are your go-to mics for kick drums? Are there any hidden gems I should know about? Thanks in advance for your help!

Looking forward to hearing your recommendations!

Cheers,
hannah68

5 Likes

I’m a huge fan of dynamic mics for kick drums, like the Shure Beta 52a. They excel at handling loud sounds and provide a punchy low end.

2 Likes

I agree! Dynamic mics like the Audix D6 also work great. They have very good low-end response and are durable for live settings.

Don’t overlook condenser mics! The AKG C451 is fantastic if you want to capture a more detailed sound, especially in studio settings.

3 Likes

Condenser mics can catch subtleties well, but they may not handle high SPLs like dynamics. Good for studio use but tricky live.

Ribbon mics like the AEA R84 give a warm, vintage sound, but they can be sensitive. Anyone tried them on kick drums?

8 Likes

I’ve tried it! It adds a nice character but needs a good preamp due to its low output.

7 Likes

What about placement? I’ve heard that having the mic inside the kick can really enhance the thump.

Absolutely, mic placement is crucial! A few inches inside the drum can get that punchy sound. Experimenting is key!

I’ll stick with my dynamic mics. Can we all agree that they’re versatile? Can’t beat the reliability in any situation!

7 Likes

Totally! Less chance of damage, especially on the road. But I still think there’s a place for condensers.

So, what’s the conclusion? Dynamics for live, condensers for studio, or is there room for ribbons too? I’m confused!

I highly recommend the AKG D112. It’s been a standard in the industry for years, providing a punchy sound that really captures the low end of kick drums. The ability to handle high SPLs is a major plus too!

That’s interesting! I’ve heard great things about the Shure Beta 52A as well. It has a great frequency response and is also very durable. Anyone had experience with both?

The Audix D6 is fantastic for live settings! It really emphasizes the attack of the kick. I’ve used it on several occasions and it always delivers a solid sound. Can’t go wrong with that choice.

I’ve used the Beta 52A too! It’s very versatile. However, I feel like the D112 gives a warmer tone. It really depends on what sound you’re aiming for!

For a budget option, look into the MXL A-55 KICK. It’s surprisingly decent for the price! I’ve been impressed with its performance, especially when recording at home.

That’s a good tip! I wonder if anyone has tried using the Audio-Technica ATM250DE? It’s a dual-element mic—great for capturing both the attack and the resonance.

I’ve never tried the ATM250DE, but I’ll vouch for the Sennheiser e902. It’s a tight mic that captures all the nuances of the kick drum without getting muddy. Perfect for studio recordings!

Great recommendation! I’m curious if anyone prefers dynamic mics over condensers for kick drums. I sometimes wonder if I’m missing out on that option.