Sarah Jarosz is known for her incredible musicianship and unique sound, and a big part of that is her use of an 8-string guitar. For those who are curious, this instrument isn’t just any guitar; it’s actually an octave mandolin or a tenor guitar depending on how you look at it!
What Is an 8-String Guitar?
Octave Mandolin: This variation often tuned like a mandolin but with the addition of bass strings, which can make it sound fuller.
Tenor Guitar: Another type that is usually tuned in fifths like a traditional mandolin or violin, offering a crisp, bright tone that stands out in folk and bluegrass music.
Why the 8-String Guitar?
Sarah’s choice to play an 8-string guitar brings a unique texture to her music. Here are some key aspects:
Unique Sound: The combination of the additional strings allows for a richer harmonic range, which complements her vocals beautifully.
Versatility: It can be played both as a strummed rhythm instrument or for intricate fingerpicking, allowing for a lot of musical expression.
Getting Started with an 8-String Instrument
If you’re interested in trying out an 8-string guitar or similar instrument, consider the following tips:
Choose Your Instrument: Decide if you want an octave mandolin, tenor guitar, or perhaps even a custom variation.
Learn the Tuning: Familiarize yourself with the specific tuning that fits your style — whether it’s standard tenor guitar tuning or something else.
Practice Regularly: As with any instrument, consistent practice will help you get acquainted with the strings and their sounds.
Explore Techniques: Look into fingerpicking patterns or strumming techniques that complement the sound of the instrument.
Conclusion
There’s so much to discover in the world of string instruments, and Sarah Jarosz has opened up that dialogue with her use of the 8-string guitar. Whether you’re a fan of her music or just curious about this instrument, it’s definitely worth exploring!
Join the discussion! What are your thoughts on Sarah’s use of the 8-string guitar or your experiences with similar instruments?
Adding to what heatherray said, the string arrangement on an 8-string can vary a lot. Some use a lower octave for the added strings, which gives it a deeper, fuller sound. Sarah really makes the most of that!
The 8-string guitar typically features a unique tuning that allows for more harmonic possibilities. It’s often tuned like a 6-string but adds two strings, expanding the range and giving it a rich sound.
It’s fascinating how Sarah Jarosz integrates the 8-string into her music. I feel it adds complexity that a standard 6-string just can’t match, especially in fingerstyle playing.
That’s a good point, phillip18. The 8-string can be more challenging at first, but once you’ve got a handle on it, it can really elevate your playing. It’s all about how invested you are!
I think the 8-string guitar stands out in genres like folk and bluegrass! Sarah Jarosz uses hers to blend traditional sounds with innovative techniques. Anyone else feel the same?
I see the point about versatility, but I sometimes wonder if it just complicates things. Does everyone really prefer the 8-string over the classic 6-string?
I think it depends on the player’s style. Some love the richness of the 8-string, while others appreciate the simplicity of the 6-string. Each has its own beauty!
Hehe, marciaclements! That’s a great analogy. It’s all about the mood, right? Sometimes you want that rich, layered sound, and sometimes you want the straightforward strumming.
Reflecting on all this, it’s incredible how a change in instrument can expand a musician’s creativity. Sarah Jarosz really showcases this with her 8-string guitar.
I’ve been really intrigued by Sarah Jarosz’s 8-string guitar technique. The extra strings allow for some complex fingerpicking patterns that create a full sound. Does anyone have tips on getting started with fingerpicking on an 8-string?
Definitely! One effective technique is to practice with your thumb for the bass notes and your index to ring fingers for the melody. Start slow and increase your speed over time.
I’ve also found that using alternate picking can really enhance your strumming patterns. Sarah Jarosz uses a lot of rhythmic variations that make her pieces stand out. Anyone have favorite strumming exercises?
I’ve been experimenting with common chord shapes on the 8-string as well. An interesting shape is the Cmaj7, which adds a lot of richness to the sound. What’s everyone else using?