Anyone know how to play 25 or 6 to 4 on guitar?

How to Play 25 or 6 to 4 on Guitar

If you’re looking to learn how to play the classic Chicago song, “25 or 6 to 4,” on guitar, you’ve come to the right place! This tutorial will break down the key elements of the song, including the chords, riffs, and solos.

Getting Started

To begin, you’ll need to familiarize yourself with the chords used in the song. The main progression covers:

  • Verse: Am7, Dm7, E7
  • Chorus: G, A, Am

Chord Progression Breakdown

Verse Chords:
The verse consists mainly of Am7, Dm7, and E7. Here’s how you can play them:

  • Am7: x02010
  • Dm7: xx0211
  • E7: 020100

Chorus Chords:
In the chorus, you’ll transition to G, A, and Am. Here’s how to play them:

  • G: 320003
  • A: x02220
  • Am: x02210

Tips for Playing the Riffs

The song features some iconic riffs that you won’t want to skip. Here’s a breakdown of how to approach them:

  1. Intro Riff: The introduction features a melodic line that can be played over the chord progression. Take your time to nail the timing and the nuances.
  2. Chorus Riff: The chorus part is also important; you can play it either on the guitar or harmonize it with vocals. Experiment with strumming patterns to find what fits best.

Solo Techniques

The solos in this song are a big part of its appeal. Here are some tips for mastering the solos:

  • Practice Slowly: Start by practicing the solos at a slower tempo. Gradually increase your speed as you gain confidence.
  • Use a Metronome: This will help you maintain consistent timing.
  • Listen Closely: Pay attention to the original recording to catch the feeling and phrasing.

Learning Resources

There are various resources available to help you learn:

  • YouTube Tutorials: Search for “25 or 6 to 4 guitar tutorial” and you’ll find a ton of instructional videos.
  • Tabs and Sheet Music: Websites like Ultimate Guitar have user-contributed tabs that can guide you through each section.

Final Thoughts

Learning to play “25 or 6 to 4” can be a fun challenge. Make sure to be patient with yourself and enjoy the process. Don’t hesitate to reach out if you have questions or need further tips! Happy playing!

Hey! To play ‘25 or 6 to 4,’ you’ll mostly be using Bm, E, and F# chords. The transitions can be tricky at first, but practice makes perfect!

Thanks for the heads up! How do you recommend transitioning between Bm and E smoothly?

Great question, wumary! You can try keeping your index finger flat across the string for Bm; it helps in reducing time when switching to E!

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That sounds helpful! I often struggle with the finger positioning.

To add on, also remember to keep your thumb behind the neck for better grip. Timing is key; try playing along with the original track to get it down.

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I totally agree! Playing along really helps with the rhythm.

I found that using a metronome can help you lock in that timing before playing along with the song!

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What part of the song gives you the hardest time? I still can’t get that solo in the middle!

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The solo can be a pain! I usually slow it down a bit and practice it note by note. It’s slow growth, but it works!

Yeah, slow is the way to go. Sometimes I wonder if I should just skip learning it! But then that feels like cheating.

Skipping is no fun! Think of how cool it would feel to nail that solo at a jam session!

Or imagine whiffing it and everyone staring! What a nightmare! :joy:

Haha! True! But it could also make for a great laugh once you’ve mastered it.

Mastery does come with time. Each practice session counts! Just stay positive and find joy in the process. :guitar:

I’ve been trying to figure out ‘25 or 6 to 4’ too! The strumming pattern is key. Start with a down-up strumming, but don’t be rigid! Feel the rhythm.

I totally agree! I added some palm muting on the verses, and it really adds to the groove. Give it a go!

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I find that using fingerpicking during the intro gives it a nicer touch. It’s all about capturing that mellow vibe before it kicks in.

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Good point! Can anyone share tips on transitioning from the fingerpicking to strumming? That part trips me up.

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The slide technique in the chorus is one of my favorites! It adds a unique flair—really makes it stand out.